On my first night I found myself in The Hartford Café, an Aladdin’s cave of vinyl in Shinjuku, Tokyo. Prompted by a photo of my Wheatstone the owner, Mr Yanagisawa, disappeared behind the bar and emerged triumphantly with a John Kirkpatrick and Sue Harris album. This was followed by Ewan MacColl and Peggy Seeger’s “Manchester Angel” and “A Tale of Ale”, a Free Reed recording of British drinking songs. Continue reading
Many of you know that I have been working off and on for about five years now on a history of the Anglo concertina. That work is now finished; The Anglo-German Concertina: A Social History is now out, at Amazon.com. There are two volumes, with 620 pages, over 440 illustrations, and 28 transcriptions. The book concentrates on the people who have played both German and Anglo-German instruments from the time of Carl Uhlig’s invention of 1834 to the present, and includes chapters on England, Ireland, Africa (both Boers and various African ethnic groups), Australia, New Zealand, and North America, as well as concertina use at Sea.